The musical origins of Sabine Bremer lie in the deep and emotionally charged sounds of classical violin literature, in the harmonious and playful freedoms of jazz and are ultimately colored by the electronic sounds of her hometown of Berlin. As a composer and violinist she breaks new ground.

Her compositions for violin and electronics develop in collagen-like structures, in which percussive, broken rhythms and psychedelic elements intertwine to a multi-layered, tension-charged sound cosmos. Although Bremer's music can be assigned to the genre of neo-classical, for her this term is less a fixed etiquette than an artistic attitude that gives her the freedom to compose and experiment unlimitedly.

Sabine Bremer has modified her electronic devices in such a way that they function not only as technical tools, but also as full-fledged instruments in their live performances. Their compositions are often created at the moment of the performance – a symbiosis of technique and improvisation, sound and emotion. In doing so, she deliberately breaks with the monotony of prefabricated digital loops and sound structures and dispenses with pre-produced back-ing tracks. Instead, it relies on a direct, tangible interaction with the technical devices, which in this context become real instruments.

"Motivation is the feeling of freedom and independence. It is the challenge and evocation of my very own playful and compositional qualities and content. The inner ear decides where it goes. No backing tracks. No press and play. The live performance is in the foreground. Anything could break at any moment. That's the tension, the thrill, the inner attitude I want to play with.”