Sabine Bremer’s work is based in the deep and emotional sounds of classical violin literature, the harmonious and playful freedoms of Jazz and are ultimately colored by electronic sounds of her hometown Berlin. As a composer and violinist she breaks new ground.

Her compositions for violin and electronics progress in collagen-like structures. Percussive, broken rhythms and psychedelic elements intertwine to a multi-layered sound cosmos charged with tension. Bremer's music can be assigned to the genre of neo-classical, but for her this term is less a fixed etiquette than an artistic attitude which gives her the freedom to compose and experiment continuously.

Sabine Bremer turns her studio production equipment into full-fledged live instruments and uses them in her live performances. She improvises during her life performances – following emotions, blending them with her readings of violin literature and translating these symbiosises into unique compositions. Sabine has little interest in prefabricated digital loops, sound structures or dispenses with pre-produced backing tracks. Instead, her music relies on a direct, tangible interaction with the technical devices, which in this context become real instruments.

„My motivation is the feeling of freedom and independence. It is the challenge and evocation of my very own playful and compositional qualities and content. The inner ear decides where it goes. No backing tracks. No press and play. The live performance is in the foreground. Anything could break at any moment. That's the tension, the thrill, the inner attitude I want to play with.”